Aisha was killed by her husband on the night of the wedding, due to the loss of her virginity in an accident during her childhood. The liquidation of Yazid, and it is most likely that the killer was his father. Because of a love letter to one of his schoolmates, although the narrator here seems “melodramatic” in narration terms, a little exaggerated, in the personification of the event. But it is also realistic, facts mixed with imagination and imagination that is inseparable from its reality. The writer surprises you in a way that he gets rid of some of the characters in the novel with very marginal events, but he gives them an important symbolism. However, the above is not the essence of the novel, but a very small detail of it.
It is a novel that cannot be stereotyped or reduced to a single description: in some of its details you will say this is an existential, subjective, social, rather emotional story, and it has a psychological undertone as well as not devoid of political projections as well.. and the truth when you finish it will recognize the accuracy of the description that says: It is a mosaic comprehensive, which is the most common definition of what a novel is. I am talking about the novel “Mi’raj” by the young novelist Abdullah Shrouh.
The novel has a lot of sneaky ideas, and perhaps one of the most beautiful things in the novel is the transparency of the narration, shocking and daring without vulgarity; As if it belongs to the literature of revelations.” This type of literature is the most honest of the literary genres and capable of captivating the reader’s astonishment and admiration. Even as it narrates the most intimate chapters, the teenage young man’s eagerness for his beautiful neighbor and her sexy legs, escalates the tale with clever grace, makes you gasp and tense with him, without being It drowns you completely and then turns the narration into a calm language without cutting yourself, just as it pulls you with it when it stretches, it brings you back quietly when it descends, a clever narrative exercise that keeps the thread high and forces you to respect it.
At the beginning of the novel, or let’s say in its first chapter, there is a preface that requires a little patience from you to get over it, and like any narration at its beginning, the novel needs the reader to give it a chance to unfold the story for him.
Little by little, the writer manages to control you, then the novel is no longer begging for your patience, but you find yourself all drawn towards it and need to continue the journey with it, as if you found something of yourself buried in it. The other two parts of the novel seem to me more important and intense than the first third. The writer’s flow in them escalated, and he began to be more immersed in his story than in the first chapter, unlike many novels, they get tired at the end, while more impressive explanations begin as the story approaches its end.
I think the writer, not only tells the stages of his life, childhood fears and teenage struggles, and his psychological and mental transformations, but also formulates a general narrative in which every young man of our generation will find himself. Although the details are different, the contents and meaning are one. Herein lies the ingenuity of the writer, how he transmits his own story, to have a general collective connotation, and a widely circulated meaning.
The language of the narration is coherent, the ability to describe is high and attractive, in some of its expressions you may find a traditional descriptive language in which the word is attended as a stylistic linguistic work that takes precedence over meaning, but you will be surprised in many pages with a revealing language that predicts an experience that bears a lot of maturity.
There is a good and clear control by the narrator over his story and the narration paths. The narrative line at its beginning may seem to you a single path, and without many side branches, but it is a single path rich with small internal transitions and perhaps sometimes confusing, as if you are in the labyrinth of “Carlos Zafon” and not ascension, explanations, Multiple glimpses and indications without disintegration, with important social and realistic connotations.
With this novel, and according to my own and impartial estimation, Abdullah Shurouh, presents himself as one of the most important emerging narrators in the country, the novel Mi’raj, which is a map in which the personality of the man is depicted with all that it contains of multiple and mixed existential meanings, overlapping and conflicting, the revealing foundational work, it is a complex containing The seeds of all the signs that preoccupy the writer’s mind and make up his character. The writer may return later with a novelistic work in which he captures one of the central connotations in the novel and works on it as an expanded monothesis; But I don’t think he goes far towards a new idea out of nowhere and outside of its formative elements transmitted in the novel “Mi’raj”.
The novel is written in the language of the speaker, as if the narrator here is the writer, where the pronoun of the speaker accompanies you from the beginning. As if he is a witness to tell it to you and not an element within it. It is true that the modern narration technique, and its patterns, broke this condition a lot, and developed new narrative paths, in which the narrator often appears as an element within the story and speaks to you clearly and personally. But in my opinion, the method of narration with an external pronoun remains an essential characteristic of the nature of the novel. Although Shurouh, a diligent novelist committed to authentic narration techniques, he transcends this condition in his novel and appears to be postmodern.
In any case, I say it with confidence – and I am the type who chooses his novels and books very carefully, and I even believe that the task of choosing a book is no less important than the reading process itself, if not more important -: the novel Mi’raj, which managed to position itself as one of the novels worthy of reading, not because its writer A close friend of mine, but because it is a novel that belongs to every Yemeni young man. I say to myself, I wish I had encountered it at the beginning of my youth, it would have benefited me a lot, and shortened a long stage of the existential struggle.
And many of the visions it contains that every persistent young man will reach after he roams many philosophies and reaches that kind of good firmness, calms down, and his anxiety becomes more organized. Not a naive certainty, nor an absurd skepticism, but a measure of principled certainty with a healthy and effective suspicious mind.
I would recommend it to every young man: not because its author is Abdullah Shrouh, but because it carries an idea and meaning and forces you to give it part of your time, and I do not think its reader will ever regret it. No one is as anxious as I am, and would be torn apart if an hour of his day were wasted in vain, and yet I read it and was satisfied at the end, then cried: It is worth, it is worth. I wanted to share the matter with you and for you to travel with it and then judge at the last line in it.
One last point:
If you want to know this young man, do not just read what he publishes on his Facebook page – despite his importance – but take up a full fictional work for him, give him only two nights, and you will come out with a visually dazzled by him, he is more ingenious in the long narration, a talent that does not reveal to you in short and fleeting tales. He was born as a novelist from the beginning, worthy of creating the complete story, without the need to go through fragmented experiences and self-exhaustion in wasted instant production.
Among all the young people I have read and talked to, the explanations seem to me one of the most mature and clear in vision, artistically and cognitively, and this is my impression of him as a reader only. One of the country’s most authoritative writers and narrators, who awaits a promising future if he continues with the same determination and diligence without interruption.
Good night guys, read to each other, to the ascending narrators in particular, they say the most virgin and foundational meanings of life, raw ideas and most connected to life, your direct life is you, sometimes more than those big names, who are exhausted in saying everything, and are empty of every innovative meaning And perhaps they are superior to saying what you need and what they now see as marginal, but for you it is central and you need it most, as it appears in the novel “Miraj” exactly. fun reading